Being a piano teacher makes me happy! My new student Clara, is just one of the delightful children I get to spend time with each week. It made my day today to hear that she was recently featured on the news for winning the National Let's Play Music Composition Contest.
Click the link to hear her perform her piece and learn the storyline that goes with it!
At my last piano group lesson, several of my students were talking about K-Pop. I'm out of the kid movie loop, so at first I thought, "Is this some new kind of candy?"😂
After the lesson, I explored some of the memorable music from this movie that just sticks in your mind after you hear it.
Writing Effective Melodies
As I teach composing to students, I often start by emphasizing that using more steps and skips than leaps will create more effective melodies. Hopping around on the keys like a ping pong ball bouncing is not likely to create memorable music!
But music is an art, not a science. "Breaking the rules" sometimes is more effective than you think!
Then choose your favorite style, follow the 3 boundary rules, and improvise your own short Halloween piece during piano lab. Choose a fun title that matches the mood of your piece.
Musical styles from around the world often have repeating chord and scale patterns that make them distinct. Most famous pieces include repeating musical ideas including repeating rhythms, chords and melodic sequences.
Not every music student LOVES to compose or feels comfortable creating. In fact most are rarely invited to! I only recall creating one composition during all of my years of piano lessons as a child. When I thought about taking a songwriting class in college, I first attended the student songwriting recital at BYU and was both amazed and intimidated by the performances. Unfortunately, after hearing their songs I felt I could never create something that amazing, so I didn't sign up😢.
My love for improvising and composing came many years later as a piano teacher when I tried several "beginning" composing activities with my students and saw how much they enjoyed it. I also gained confidence and had fun as I explored improvisation in the comfort of my home using Forrest Kinney's resources. Hopefully, your students won't wait that long to FIND THE LOVE and learning that come from creating!
February Composing
Chrissy Ricker's Valentine’s Day Yay or Boo provides a fun composition starting point based on a familiar poem rhythm. I love the flexibility suggestions that can be used for students of all levels. In addition to the possibilities Chrissy mentions, students could try one of the following
Half the note rhythmic values and try composing a piece in 6/8 time
Add expressive dynamic and articulation marks
Create lyrics for a 2nd verse to tell a story about why you say Yay or Boo to Valentines
Adding a contrasting B section is another
Choose your own harmonic structure (Heart and Soul: I, vi, IV, V or quick V-I)
Composing Staff Paper, Prompts, and Styles
Joy Morin has many great composing resources like various sizes of printable staff paper and composing prompt pictures that can be used any time of the year. Near the bottom of this linked post is a Composing in Romantic Style activity. Since February is the month of "romance" it is a perfect time to introduce the elements of Romantic music using her guided worksheets the Prompts for Composing (p9) and Stylistic Traits of Romantic Music (p10). These resources can be used for individual or group classes.
Improvising with 2s
The Teach Piano Today Valentines Improv activity is a simple way to start with beginners that allows them to improvise on the black keys with quarter, eighth and half-note rhythm patterns.
For more of a challenge, intermediate/advanced students could try one of the Create First improvisation ideas below that include Add 2 Chords or Second Inversions.
Activity #1:Watch Create First Second ChanceSolo. Then create your own melodies using notes from the G Major Scale and Add 2 chords.
Activity #2: Watch Create First A Day Unbroken by Hours and then create your own improv using broken chords including root chords and inversions.
Activity #3: Watch the sample improv video CF Far From Home. Then create your own improv using right hand 2nd inversions patterns.
Activity #4: Watch the jazzy style Create First Gospel sample improv and then create your own improvisation including 2nd inversions.
The resources for creativity at the piano seem to be endless. Here are a few winter and New Year-themed activities to try. It's never too late to start or expand your skills with some creative fun! The framework of these activities help get the creative juices flowing, but the real fun comes when you can throw out some of the "rules" and let your imagination explore new possibilities.
Composing
January is a time for me to reset and contemplate my goals. This chant I learned at 4H camp makes me think of kicking off the new year with the best start which includes setting personal goals for physical, intellectual, spiritual, and social improvement.
December is such a perfect month to inspire imaginative creating and composing!
Piano students are eager to play their favorite Christmas songs and this provides a perfect springboard for ideas as they arrange, improvise or even compose music that creates the magical feelings of snowfall or Christmas wishes and giving. Which one will be your favorite?
I'm excited to serve as the Assistant Composition Festival Chair for the Upper Valley Music Teacher's Association and plan to share a post about themed resources every month that music teachers can use with their students. While most activities are designed for pianists, I'll also include some resources that can be used for string players or other instrumentalists.
Beginning Composing with a Musical Motifs Game
Beginning to compose can be a bit intimidating for many students (and teachers😉) so I like to start with bite-size motifs using a game approach to take the pressure off. This Scale Degrees Gameboard Free Printable) can be used as a quick lesson starter when paired with any of the seasonal rhythm pattern cards from the Free Improvisation printables on the Teach Piano Today blog. For example the TPT Back to School Improv includes rhythm pattern cards like "leaky lunchbox," "make new friends," "running for the bus," etc.
To play, first choose a major or minor scale. The teacher and student (or 2 students) sit at the piano (or other instrument), take turns rolling a die, and move their marker around the game board (removable sticky flags) as they improvise short musical melody ideas on their instrument using notes from the chosen scale. To ramp up the difficulty more advanced students could also add chords for harmony.
For each spot they land on, they create a musical motif starting with the scale degree note and matching the rhythm. For example, if a player lands on dominant using the C major scale they create a musical idea that starts with G (dominant) as they say the phrase from the rhythm pattern card they chose.
This game cleverly introduces the intermediate concept of scale degree names, while allowing the teacher to model rhythms and musical ideas and let the student try them out in a no fear of failure approach. The winner is the first one to reach the end of the board. For a twist you could choose a "magic degree" and let players roll again if they land on that scale degree.
It's not polished or perfect. I didn't even know I was being filmed! But I love seeing her delight and the way she tried to mimic my flowing sounds.
The Forrest Kinney's Create First! Series empowered me with this idea to begin improvising on the piano for fun, and I love to see my students light up when they see how much fun it can be to create with simple patterns. I love to start with the For the Joy improv that even people with no music experience can do by just playing black keys. When Forrest was diagnosed with terminal cancer a few years ago, he generously posted all of his Create First! Videos on YouTube. The books provide written samples, left hand patterns and duets on the printed page that he demonstrates in his videos.
For the Joy Student Improvisation Activity
Watch Create First For the Joy Duet and Solo. Then Create your own melodies on the black keys with rhythms in 4/4 Time. Start with just quarter notes. Then add longer or shorter notes for variety.
I'd love to hear about your experiences using these or other creative activities with your music students. What are some of your favorite improvising or composing activities?
More Posts About Composing and Improvising in the Music Studio
For many years I had a case of "piano teacher imposter syndrome." I loved playing the piano from the start of lessons at age 8. I quickly progressed and had teachers who poured on the praise because of my speedy progress and diligence. My parents never had to nag me to practice. I loved competing in the Sonatina Festival and feeling the dopamine rush during practice when I mastered a tricky spot.
No Practicing
I was a little heartbroken when I couldn't practice regularly for a couple of years. In my teen years, we relocated and left our old clunker piano behind with plans to buy a better piano in our new home after a move. But then we had some economic challenges when my dad's new company discovered an employee was doing fraudulent crimes and my dad was soon after diagnosed with a rare muscle disease, polymyositis, so buying a piano was put on hold for a while.
My gracious grandma provided us with some funds to buy another "clunker" and I resumed lessons with a kind neighbor who taught me in exchange for some light housecleaning. I especially loved to play calm sacred music and spent a lot of Sunday afternoons "catching up" on my orchestra practice record by playing hymns on the violin for two or three hours at a time.
I was super studious in school and was thrilled to get a full academic scholarship to the college of my dreams, Brigham Young University, where I planned to studio Piano Pedagogy. I eagerly enrolled in all the music major classes. I headed to my piano major audition with high hopes. But I felt a bit frazzled when they only asked me to jump between short excerpts of my pieces and soon got the devastating news that I was not accepted into the major and therefore could not take any of the music classes I had enrolled in.
College Piano Dropout
I was able to take private piano lessons with the possibility of applying to the program the following year. My confidence had definitely taken a blow and comments from my stern teacher like "No! No! No! You're doing it all wrong" seared into my memory the feeling of being inadequate. The tears didn't flow until after that lesson when I left the lesson feeling a bit dejected walking through the parking lot. I was intimidated by all the performances required for music majors. I really just wanted to focus on learning to be a private piano teacher, with less emphasis on performing. At the time with my fixed mindset, I also felt like financially I couldn't wait a year and add on a year's worth of college tuition that I couldn't pay for. So I changed my major to Family Science with a Music Minor.
I was grateful to switch to a graduate student instructor for my private piano lessons the next semester. She was so much more encouraging than the Ph.D. professor I started with and a better fit for my personality. She renewed my hopes that I could still teach piano someday and provided me with some excellent pedagogy resources. I still regret not having the courage to take a college "Songwriting" class for non-music majors. I had intentions to sign up, but when I attended the recital of the students who had taken the class I was blown away by their skills and felt like I could never create something that amazing.
Starting Improv and Piano Teaching
After serving a mission, meeting the man of my dreams, and graduating from college, my husband and I worked at a home for troubled teen boys. We had a piano in the home and I loved hearing one of our boys improvise music based on a few tips about chords he had learned from a friend. He inspired me to start "playing around" on the piano a little more instead of just reading music.
Four years later we finally bought our very own piano! My neighbor asked if I could start teaching her 4-year-old to play. I devoured all of Martha Beth Lewis's online tips. My Child Development classes came in handy when I started teaching my first student and I incorporated plenty of play and piano games into lessons.
Later I taught teens in exchange for babysitting services and eventually, I started this blog when I began my preschool piano for a couple of my young children and their friends.
Now my "preschoolers" are grown up an pursuing their own passions instead of piano.
Piano Teacher Connections
When I moved to Idaho I was thrilled to discover that one of my favorite high school friends, Angela had moved to the same city just a month before! She also taught piano and her ideas transformed the way I ran my studio. I incorporated piano lab activities as part of longer lessons and we began our own festival when the local festival didn't work well with our child-bearing schedule😉.
Attending countless piano teacher workshops, webinars, browsing piano teaching blogs and teaching for 20 years has mostly cured my "imposter syndrome" when it comes to piano teaching. I love the connections I make with other local music teachers in UVMTA and I learn from their strengths but also appreciate as I get to know them more personally that we all have weak or "imposter" areas in life.
The Create First! and Puzzle Play Series by Forrest Kinney has helped me find more joy in improvising for fun and learning some basic tools for arranging.
Recently I've been dabbling in new territory as I've started arranging a few pieces for my students and my own enjoyment.
Perfection is a Process
Younger children seem to be less inhibited by fear of mistakes. I love how they can just jump into a new experience without fear of failure. Here's a quick clip that my husband filmed of me creating with my friend's daughter when she wanted to "learn piano" at our house. She's never had lessons, so I just invited her to make up music on the black keys while I played a duet, similar to the Create First! approach.
The imposter feeling is creeping back in. I'm probably breaking rules for composing or notation, but I'm finding so much joy in the creative process and sharing what I'm learning with my students. It was delightful to hear one of my students start the process of creating her own hymn arrangement lead sheet style.
Have you ever felt like a piano-teaching imposter? Or have you found the secret sauce to help you compose or arrange music? I'd love to hear your ideas in the comments!
I decided to create my first hymn arrangement using the melody of this hymn in the style of other Simply Sacred arrangements that I love by Marshall MacDonald. I love the simplicity of a thin clear melody line with broken chord accompaniments instead of the heavier thick texture of a traditional hymn and wanted something easy enough for early intermediate piano students to play.
Watch the video to hear the orchestral version of Mozart's Symphony #40. Can you identify in your music where Mozart uses the following composing techniques?
Memorable melodies often use repetitive variations of a short musical idea or motif. Using these same tools as you compose melodies can help you develop a musical idea into a longer interesting piece with a common idea woven throughout.
Chord Progressions often provide the framework or building blocks of music pieces.
You can start with the notes of a simple repetitive chord progression, and by combining the notes in different ways create an endless variety of sounds.
Explore the sample piano improvisation videos below that show how to create music based on repetitive chord progression patterns. Then choose your favorite style and improvise or compose your own short piece based on the same pattern.
In this example, the left-hand stays in the root position. Choose any combination of notes from the C scale + E-flat to create a bluesy jazz piece. Imitate the syncopated jazzy rhythms.
Listen to how the broken chords played across the entire range of the piano in this example create the feeling of soothing flowing water in contrast to the energy of the blocked chord patterns.
This example uses almost every root chord of the scale. It's easier if you move your hand in a "cookie cutter" way keeping the same shape and fingering (left hand 531, right hand 135).
Can you hear how the V-I (authentic cadence) ending helps the piece to sound finished? Most songs end on the tonic or I chord that feels like returning back home.
I love to inspire creativity during piano lessons on a regular basis. These videos by Wynn-Ann show quick tips to help get creative juices flowing in a variety of musical styles.
Watch the video to learn more about the blues. Then improvise your own bluesy song.
Tips:
Use Swing Rhythms, "Cherry Pie" & Triplets "Blueberry"
Barrelhouse Bass- Alternate 5ths and 6ths
Blues Scale Notes: C, E♭,E, F♯, G, B♭,
Watch the video to learn more about creating music that shows emotions like happiness, sadness or curiosity. Then try improvising or composing different emotional sounds on the keyboard.
Playing with a lead sheet gives you the power of choice to stylize songs however you like.
And there are so many options! Listen to a few below. Then choose some of your favorites to use as you accompany the melodies of simple folk or Christmas songs you already know.
.png "Free Piano Composing and Improvising Ideas for December")
.png)
Posts
