This post includes resources that I mentioned in my presentation at UVMTA about flipped learning in the music studio.
"Tell me and I forget, teach me and I remember, involve me and I learn."
-Benjamin Franklin
"Tell me and I forget, teach me and I remember, involve me and I learn."
-Benjamin Franklin
Performing can be a shaky experience... literally. That can definitely complicate things when you are a pianist and shaky fingers lead to wrong notes and then your mind starts feeling like a Jenga game where one slip leads to more shakiness and possibly a total collapse.
I attended an informative UVMTA workshop this week presented by Dr Stephen Thomas including preparation tips for performance experiences to help you avoid freezing up with mental blocks. I loved many of the ideas he shared and mingled them with some of my own in my notetaking. A resource that kept coming to my mind was the book The Practice Revolution by Philip Johnston. It is loaded with different gamified strategies for structuring and improving practice quality and I find it especially helpful for children who may not naturally know how to organize their home practice sessions.
My personal key takeaways were
Chrissy Ricker's Valentine’s Day Yay or Boo provides a fun composition starting point based on a familiar poem rhythm. I love the flexibility suggestions that can be used for students of all levels. In addition to the possibilities Chrissy mentions, students could try one of the following
The Teach Piano Today Valentines Improv activity is a simple way to start with beginners that allows them to improvise on the black keys with quarter, eighth and half-note rhythm patterns.
For more of a challenge, intermediate/advanced students could try one of the Create First improvisation ideas below that include Add 2 Chords or Second Inversions.
Activity #1: Watch Create First Second ChanceSolo. Then create your own melodies using notes from the G Major Scale and Add 2 chords.
Activity #2: Watch Create First A Day Unbroken by Hours and then create your own improv using broken chords including root chords and inversions.
December is such a perfect month to inspire imaginative creating and composing!
Piano students are eager to play their favorite Christmas songs and this provides a perfect springboard for ideas as they arrange, improvise or even compose music that creates the magical feelings of snowfall or Christmas wishes and giving. Which one will be your favorite?
I love planning creative activities like composition and improv to use with my piano students in music lessons. Although I had no formal training in music composition, I have discovered many valuable resources that I've used with my students over the years to help keep their creative juices flowing.
I'm excited to serve as the Assistant Composition Festival Chair for the Upper Valley Music Teacher's Association and plan to share a post about themed resources every month that music teachers can use with their students. While most activities are designed for pianists, I'll also include some resources that can be used for string players or other instrumentalists.
Beginning to compose can be a bit intimidating for many students (and teachers😉) so I like to start with bite-size motifs using a game approach to take the pressure off. This Scale Degrees Gameboard Free Printable) can be used as a quick lesson starter when paired with any of the seasonal rhythm pattern cards from the Free Improvisation printables on the Teach Piano Today blog. For example the TPT Back to School Improv includes rhythm pattern cards like "leaky lunchbox," "make new friends," "running for the bus," etc.
To play, first choose a major or minor scale. The teacher and student (or 2 students) sit at the piano (or other instrument), take turns rolling a die, and move their marker around the game board (removable sticky flags) as they improvise short musical melody ideas on their instrument using notes from the chosen scale. To ramp up the difficulty more advanced students could also add chords for harmony.
For each spot they land on, they create a musical motif starting with the scale degree note and matching the rhythm. For example, if a player lands on dominant using the C major scale they create a musical idea that starts with G (dominant) as they say the phrase from the rhythm pattern card they chose.
This game cleverly introduces the intermediate concept of scale degree names, while allowing the teacher to model rhythms and musical ideas and let the student try them out in a no fear of failure approach. The winner is the first one to reach the end of the board. For a twist you could choose a "magic degree" and let players roll again if they land on that scale degree.