In addition to the online music games, music software and (rarely used) theory books in my piano lab, for late elementary students, I put together a list of analysis tasks specific to the music in their lesson books.
I begin analysis activities with my students very early by having them color various elements of their music (see this post "Hand Over the Pencil - Actively Engaging Music Students").
As they become more familiar with this process, I assign them analysis/ear training tasks to work on independently during Piano Lab Time to go along with the specific pieces in their lesson book. With this approach, the theory, ear training and analysis activities are more meaningful because they are directly relevant to the music they are currently learning to play.
I store the printout of these lesson book lab assignments in a correlating color coded 3 ring binder with other related theory worksheets corresponding with the lesson book concepts. Sheet protectors & dry erase markers save me a ton in printing costs!
For example, following are the Lab Activities I have outlined for Hal Leonard Lesson Book 4 (with CD):
Rustic Dance (p. 5)
- Listen to CD and write in your music if each line sounds major or minor.
- Find and Label 5 C Major Scales
- Find and Label 1 a minor scale.
- Label each of the following measures in your music as either contrary or parallel motion.
Measure 13, 14, 15 &
17
- What does D.C. al Coda mean?______________________________________________
Carpet Ride (p. 6)
1. Listen to the CD and think of a different
title for this piece__________________________________
2. Write the beats in the measures on the first
line.
3. Color the ties blue.
4. Color the slurs green.
5.
Color the dynamics in your music.
Mister Banjo (p. 8)
1.
Listen to the CD and listen for major and minor sections. Draw a blue
line over the minor sections and a yellow line over the major sections.
2. Write the beats in the first line of music.
3. Trace over all of the
eighth rests using a colored pencil.
4. Look at the sharps and flats in this song
(accidentals). Decide what key the piece
is in and write the key signature at the beginning of each line.
5. What does D.C. al Fine
mean?______________________________________
Morning Bells (p. 9)
1.
Listen to the CD and decide which hand has the melody in each line. Color the treble clef on the lines where the
Right hand plays the melody. Color the
bass clef on the lines where the bass clef plays the melody.
2. Listen to the CD again and pretend you are
pedaling by moving your right foot up and down immediately after the
first beat in each measure.
3. Color all of the accents red.
4.
Color the dynamics.
Ribbons (p. 10)
1.
Listen to the CD and tap the rhythm while counting aloud.
2.
Listen to the CD again while practicing the pedal motions with your
foot. Be sure to change the pedal
immediately after the first beat in each measure.
3. Which measure has a
different rhythm then the rest?______________
4. Mark the Intervals of a 7th in your music (Hint: they should go from
a line to a line or from a space to a space)
5. Define a tempo______________________
6. Define loco
_________________________________
Calypso Cat (p. 13)
1. Label all of the C scales
2. Write beats in measures 1-8.
3. Listen to CD and tap and count the rhythm.
4. Color all the accents red
5. What is the relative minor key to the key
signature of this piece?____________________
Jig (p. 14)
1. Listen to the Cd. Where does the melody switch to the left hand?_______________
2. Write the beats in the first line.
3. Listen to the CD again clapping on the first
beat of each measure and counting aloud (1,2,3, 1,2,3, 1,2,3,…etc.)
4. Color the Intervals of a 6th in a
left hand. (Hint: 6ths go from a line to a space or from a space to a line).
5. Draw rainbows where your right hand “glides”
over your left hand
Two-Four-Six-Eight (p. 16)
1.
Write beats on the first page. Write beats 1 & 4 larger or darker (1,2,3,4,5,6,)
to show emphasis.
2. Listen to the CD counting aloud and clapping
on beats 1 & 4 (1,2,3,4,5,6
1,2,3,4,5,6,etc.)
3. Draw a yellow line below the measures where
the Tonic(I) is the bass note. Draw a
blue line below the measures where the Subdominant(IV) is the bass note and
draw red line below the measures where the Dominant(V) is the bass note.
4. Draw arrows in your music to show spots
where the Left hand position shifts up or down (For example at the end of
measure 4 you have to jump your 5th finger up from bass C to F to
play the notes in measure 5)
5. Find and color harmonic 5ths, 6ths and 7ths
in the left hand. (Choose 3 different colors)
6. Write how many measures in the song you can
spot each of the sample rhythms in the blue box at the top of p. 16.
Allegro (p. 20)
1.
Listen to the CD and tap the Left hand saying “sh” for each of the
rests.
2. Which 2 lines are the same? _________________ Label the Form of this piece.
3. Find and label the a minor and C major
scales.
Etude (p. 21)
1. Listen to the CD and think of another name
for this piece. ____________________
2. Identify the chord in each measure by letter
name, tonality (Major or minor), and inversion (6/3=1st inversion,
6/4= 2nd inversion).
Hint: The note above the gap’s
the root, it just has rearranged.
Example: In measure two,
notes d-f-a = d minor 6/4 chord
Take it Easy (p. 22)
1.
Write Roman Numerals ( I, IV, or V) next to the chord letter names.
2. Color the tonic chords yellow, subdominant
chords blue and dominant chords red.
Close By (p. 23)
1.
Write Roman Numerals next to the chord letter names.
Jumping Beans (p.24)
1. Label the left hand chords by letter name.
2. Color the tonic chords yellow, subdominant
chords blue and dominant chords red.
3. Find and label 2 C pentascales.
4. Color the octaves (intervals of an 8th).
Relay Race (p. 25)
1.
Find and label the I & V7 chords.
2. Listen to the CD. Does the left hand measures 9-16 play the same melody as the
right hand measures 1-8?
____________________________________
A Minor Tango (p. 26)
1.
Write in the beats for each measure.
2.
Listen to CD and tap the rhythm.
3.
Label chords with roman numerals.
4.
What is the relative Major of a minor?___________________
All the Pretty
Little Horses (p. 27)
1.
Color and label Primary Chords ( I, IV & V7)
2.
Color dynamics
Joshua Fit the
Battle of Jericho (p. 28-29)
1.
Write the beats in the first line of each variation.
2.
Listen to the CD and tap and count the rhythms
3.
Circle the variation that you like the best
Traditional Classical Swing
Spanish Dance (p.
31)
1.
Find and label 2 G scales
2.
Circle all of the F#s with a Red Pencil
3.
Listen to the CD and label the form of this song
4.
What beat does this song start on.
5.
Define loco_________________
6. Define Vivace______________________
6. Define Vivace______________________
True
Blues (p. 32-33)
1. Color the ties yellow.
2.
Listen to the CD and tap the Right and Left Hand rhythms.
3.
Find where the 1st line repeats and draw a colored line over
both sections.
4.
Common Time (4/4) has the feeling of ___________ beats per measure; Cut
time (2/2) changes the feeling to __________ beats per measure.
Blues
For a Count (p. 34)
1.
Write beats in the first line
2.
Color triplets starting with D-yellow, G-Blue and A-Red
3.
Color R.H. intervals with the top note C-yellow, F-Blue and G-Red
4.
Listen to the CD and tap and count the rhythm.
Doo Wop Ditty (p.
35)
1.
Color all of the C chords in the left hand.
2.
How many times does the left hand pattern repeat?
3.
What key is this piece in?
__________
4.
Listen to the CD and tap and count the rhythm.
Wandering (p. 37)
1.
Define Adagio _________________
2.
Write the beats in the first 2 lines.
3.
Listen to the CD and tap and count the rhythm
4.
Color the melody line.
Ready to Rock!
(p. 38)
1.
What key is this piece in?
2.
Find and circle all of the F#s in red.
3.
Add Roman Numerals (I,IV,V) beside the chord letter names
The Bass Singer
(p. 39)
1.
What 2 lines are the same?________________
2.
Color and label the chords with the letter name above (G) and Roman
Numeral below (I).
3.
Write in the beats for the first
2 lines.
4.
Listen to the Cd and tap the melody line with more arm weight than the
harmony.
On the Prowl (p.
40)
1.
Add Roman #s under the chords and color the i-yellow, iv-blue and V-red.
2.
Listen to the CD and tap the melody line with more arm weight than the
harmony.
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